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	<id>https://unipedia.fileli.unipi.it/index.php?action=history&amp;feed=atom&amp;title=Persone_normali</id>
	<title>Persone normali - Cronologia</title>
	<link rel="self" type="application/atom+xml" href="https://unipedia.fileli.unipi.it/index.php?action=history&amp;feed=atom&amp;title=Persone_normali"/>
	<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;action=history"/>
	<updated>2026-07-08T12:07:20Z</updated>
	<subtitle>Cronologia della pagina su questo sito</subtitle>
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	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5900&amp;oldid=prev</id>
		<title>Marcopeccianti: 44 versioni importate</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5900&amp;oldid=prev"/>
		<updated>2024-10-28T10:27:59Z</updated>

		<summary type="html">&lt;p&gt;44 versioni importate&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 10:27, 28 ott 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;it&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(Nessuna differenza)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Marcopeccianti</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5899&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis: /* Collocazione all’interno dell’opera dell’autrice */ Aggiunta di virgola</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5899&amp;oldid=prev"/>
		<updated>2023-12-19T18:07:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Collocazione all’interno dell’opera dell’autrice: &lt;/span&gt; Aggiunta di virgola&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:07, 19 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot;&gt;Riga 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039; è il secondo romanzo di Sally Rooney: il suo primo romanzo è stato &amp;#039;&amp;#039;Parlarne tra amici&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Conversations with Friends&amp;#039;&amp;#039;), pubblicato a Londra dalla casa editrice Faber and Faber nel 2017&amp;lt;ref&amp;gt;[https://search.worldcat.org/it/title/1031891111 WorldCat.org, &amp;#039;&amp;#039;Conversations with friends&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;, che tratta l’intrecciarsi delle vite delle studentesse universitarie Frances e Bobbi con quelle della scrittrice e fotografa Melissa e di suo marito Nick. Come &amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039;, anche &amp;#039;&amp;#039;Parlarne tra amici&amp;#039;&amp;#039; ha riscosso molto successo tra il pubblico e la critica, ricevendo recensioni positive da testate come il &amp;#039;&amp;#039;New Yorker&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.newyorker.com/magazine/2017/07/31/a-new-kind-of-adultery-novel Alexandra Shwartz, &amp;#039;&amp;#039;A New Kind of Adultery Novel&amp;#039;&amp;#039;, «The New Yorker», 24 luglio 2017.]&amp;lt;/ref&amp;gt; e il &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2017/jun/01/conversations-with-friends-by-sally-rooney-review Claire Kilroy, &amp;#039;&amp;#039;Conversations with Friends by Sally Rooney review - Young, gifted and self-destructive&amp;#039;&amp;#039;, «The Guardian», 1 giugno 2017.]&amp;lt;/ref&amp;gt;; nel 2022 è stato prodotto da Hulu e BBC Three un adattamento televisivo del romanzo&amp;lt;ref&amp;gt;[https://www.corriere.it/spettacoli/cinema-serie-tv/cards/conversations-with-friends-nuova-serie-tv-un-romanzo-sally-rooney/conversations-with-friends-cast.shtml Eva Cabras, &amp;#039;&amp;#039;«Conversations with Friends», la nuova serie tv tratta da un romanzo di Sally Rooney&amp;#039;&amp;#039;, «Corriere della Sera», 7 marzo 2023.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039; è il secondo romanzo di Sally Rooney: il suo primo romanzo è stato &amp;#039;&amp;#039;Parlarne tra amici&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Conversations with Friends&amp;#039;&amp;#039;), pubblicato a Londra dalla casa editrice Faber and Faber nel 2017&amp;lt;ref&amp;gt;[https://search.worldcat.org/it/title/1031891111 WorldCat.org, &amp;#039;&amp;#039;Conversations with friends&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;, che tratta l’intrecciarsi delle vite delle studentesse universitarie Frances e Bobbi con quelle della scrittrice e fotografa Melissa e di suo marito Nick. Come &amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039;, anche &amp;#039;&amp;#039;Parlarne tra amici&amp;#039;&amp;#039; ha riscosso molto successo tra il pubblico e la critica, ricevendo recensioni positive da testate come il &amp;#039;&amp;#039;New Yorker&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.newyorker.com/magazine/2017/07/31/a-new-kind-of-adultery-novel Alexandra Shwartz, &amp;#039;&amp;#039;A New Kind of Adultery Novel&amp;#039;&amp;#039;, «The New Yorker», 24 luglio 2017.]&amp;lt;/ref&amp;gt; e il &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2017/jun/01/conversations-with-friends-by-sally-rooney-review Claire Kilroy, &amp;#039;&amp;#039;Conversations with Friends by Sally Rooney review - Young, gifted and self-destructive&amp;#039;&amp;#039;, «The Guardian», 1 giugno 2017.]&amp;lt;/ref&amp;gt;; nel 2022 è stato prodotto da Hulu e BBC Three un adattamento televisivo del romanzo&amp;lt;ref&amp;gt;[https://www.corriere.it/spettacoli/cinema-serie-tv/cards/conversations-with-friends-nuova-serie-tv-un-romanzo-sally-rooney/conversations-with-friends-cast.shtml Eva Cabras, &amp;#039;&amp;#039;«Conversations with Friends», la nuova serie tv tratta da un romanzo di Sally Rooney&amp;#039;&amp;#039;, «Corriere della Sera», 7 marzo 2023.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L’ultimo romanzo di Sally Rooney è &#039;&#039;Dove sei, mondo bello&#039;&#039; (&#039;&#039;Beautiful World, Where Are You&#039;&#039;) pubblicato a Londra dalla casa editrice Faber and Faber nel 2021&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &#039;&#039;Beautiful World, Where Are You&#039;&#039;.]&amp;lt;/ref&amp;gt;. L’opera racconta le storie di Alice Kellehr, una scrittrice, e della sua migliore amica Eileen Lydon, un’editrice, tramite le lettere che si scambiano. Così come i suoi precedenti lavori, anche &#039;&#039;Dove sei, mondo bello&#039;&#039; ha ricevuto un’accoglienza positiva, diventando un bestseller del &#039;&#039;New York Times&#039;&#039;&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &#039;&#039;Beautiful World, Where Are You&#039;&#039;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L’ultimo romanzo di Sally Rooney è &#039;&#039;Dove sei, mondo bello&#039;&#039; (&#039;&#039;Beautiful World, Where Are You&#039;&#039;)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;pubblicato a Londra dalla casa editrice Faber and Faber nel 2021&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &#039;&#039;Beautiful World, Where Are You&#039;&#039;.]&amp;lt;/ref&amp;gt;. L’opera racconta le storie di Alice Kellehr, una scrittrice, e della sua migliore amica Eileen Lydon, un’editrice, tramite le lettere che si scambiano. Così come i suoi precedenti lavori, anche &#039;&#039;Dove sei, mondo bello&#039;&#039; ha ricevuto un’accoglienza positiva, diventando un bestseller del &#039;&#039;New York Times&#039;&#039;&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &#039;&#039;Beautiful World, Where Are You&#039;&#039;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Adattamento televisivo==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Adattamento televisivo==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5898&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis: /* Collocazione all’interno dell’opera dell’autrice */</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5898&amp;oldid=prev"/>
		<updated>2023-12-19T18:07:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Collocazione all’interno dell’opera dell’autrice&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:07, 19 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot;&gt;Riga 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; è il secondo romanzo di Sally Rooney: il suo primo romanzo è stato &#039;&#039;Parlarne tra amici&#039;&#039; (&#039;&#039;Conversations with Friends&#039;&#039;), pubblicato a Londra dalla casa editrice Faber and Faber nel 2017&amp;lt;ref&amp;gt;[https://search.worldcat.org/it/title/1031891111 WorldCat.org, &#039;&#039;Conversations with friends&#039;&#039;.]&amp;lt;/ref&amp;gt;, che tratta l’intrecciarsi delle vite delle studentesse universitarie Frances e Bobbi con quelle della scrittrice e fotografa Melissa e suo marito Nick. Come &#039;&#039;Persone normali&#039;&#039;, anche &#039;&#039;Parlarne tra amici&#039;&#039; ha riscosso molto successo tra il pubblico e la critica, ricevendo recensioni positive da testate come il &#039;&#039;New Yorker&#039;&#039;&amp;lt;ref&amp;gt;[https://www.newyorker.com/magazine/2017/07/31/a-new-kind-of-adultery-novel Alexandra Shwartz, &#039;&#039;A New Kind of Adultery Novel&#039;&#039;, «The New Yorker», 24 luglio 2017.]&amp;lt;/ref&amp;gt; e il &#039;&#039;The Guardian&#039;&#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2017/jun/01/conversations-with-friends-by-sally-rooney-review Claire Kilroy, &#039;&#039;Conversations with Friends by Sally Rooney review - Young, gifted and self-destructive&#039;&#039;, «The Guardian», 1 giugno 2017.]&amp;lt;/ref&amp;gt;; nel 2022 è stato prodotto da Hulu e BBC Three un adattamento televisivo del romanzo&amp;lt;ref&amp;gt;[https://www.corriere.it/spettacoli/cinema-serie-tv/cards/conversations-with-friends-nuova-serie-tv-un-romanzo-sally-rooney/conversations-with-friends-cast.shtml Eva Cabras, &#039;&#039;«Conversations with Friends», la nuova serie tv tratta da un romanzo di Sally Rooney&#039;&#039;, «Corriere della Sera», 7 marzo 2023.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; è il secondo romanzo di Sally Rooney: il suo primo romanzo è stato &#039;&#039;Parlarne tra amici&#039;&#039; (&#039;&#039;Conversations with Friends&#039;&#039;), pubblicato a Londra dalla casa editrice Faber and Faber nel 2017&amp;lt;ref&amp;gt;[https://search.worldcat.org/it/title/1031891111 WorldCat.org, &#039;&#039;Conversations with friends&#039;&#039;.]&amp;lt;/ref&amp;gt;, che tratta l’intrecciarsi delle vite delle studentesse universitarie Frances e Bobbi con quelle della scrittrice e fotografa Melissa e &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;di &lt;/ins&gt;suo marito Nick. Come &#039;&#039;Persone normali&#039;&#039;, anche &#039;&#039;Parlarne tra amici&#039;&#039; ha riscosso molto successo tra il pubblico e la critica, ricevendo recensioni positive da testate come il &#039;&#039;New Yorker&#039;&#039;&amp;lt;ref&amp;gt;[https://www.newyorker.com/magazine/2017/07/31/a-new-kind-of-adultery-novel Alexandra Shwartz, &#039;&#039;A New Kind of Adultery Novel&#039;&#039;, «The New Yorker», 24 luglio 2017.]&amp;lt;/ref&amp;gt; e il &#039;&#039;The Guardian&#039;&#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2017/jun/01/conversations-with-friends-by-sally-rooney-review Claire Kilroy, &#039;&#039;Conversations with Friends by Sally Rooney review - Young, gifted and self-destructive&#039;&#039;, «The Guardian», 1 giugno 2017.]&amp;lt;/ref&amp;gt;; nel 2022 è stato prodotto da Hulu e BBC Three un adattamento televisivo del romanzo&amp;lt;ref&amp;gt;[https://www.corriere.it/spettacoli/cinema-serie-tv/cards/conversations-with-friends-nuova-serie-tv-un-romanzo-sally-rooney/conversations-with-friends-cast.shtml Eva Cabras, &#039;&#039;«Conversations with Friends», la nuova serie tv tratta da un romanzo di Sally Rooney&#039;&#039;, «Corriere della Sera», 7 marzo 2023.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L’ultimo romanzo di Sally Rooney è &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;) pubblicato a Londra dalla casa editrice Faber and Faber nel 2021&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;. L’opera racconta le storie di Alice Kellehr, una scrittrice, e della sua migliore amica Eileen Lydon, un’editrice, tramite le lettere che si scambiano. Così come i suoi precedenti lavori, anche &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; ha ricevuto un’accoglienza positiva, diventando un bestseller del &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L’ultimo romanzo di Sally Rooney è &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;) pubblicato a Londra dalla casa editrice Faber and Faber nel 2021&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;. L’opera racconta le storie di Alice Kellehr, una scrittrice, e della sua migliore amica Eileen Lydon, un’editrice, tramite le lettere che si scambiano. Così come i suoi precedenti lavori, anche &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; ha ricevuto un’accoglienza positiva, diventando un bestseller del &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5897&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis: /* Ricezione */</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5897&amp;oldid=prev"/>
		<updated>2023-12-19T18:06:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Ricezione&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:06, 19 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Riga 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Recensioni positive arrivano anche su &amp;#039;&amp;#039;The New York Times&amp;#039;&amp;#039; da Dwight Garner, che descrive la tecnica narrativa dell’autrice come originale, nonostante sia ancora all’inizio della carriera&amp;lt;ref&amp;gt;[https://www.nytimes.com/2019/04/08/books/review-normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=1&amp;amp;pgtype=collection Dwight Garner, &amp;#039;&amp;#039;Sally Rooney&amp;#039;s &amp;#039;Normal People&amp;#039; Explores Intense Love Across Social Classes&amp;#039;&amp;#039;, «The New York Times», 8 aprile 2019.]&amp;lt;/ref&amp;gt;, e Andrew Martin, che apprezza il lavoro di Sally Rooney, prestando particolare attenzione allo storytelling, definito come “ancora più d’effetto rispetto al suo primo romanzo”&amp;lt;ref&amp;gt;[https://www.nytimes.com/2019/04/15/books/review/normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=2&amp;amp;pgtype=collection Andrew Martin, &amp;#039;&amp;#039;Is Sally Rooney&amp;#039;s New Novel as Great as Her First?&amp;#039;&amp;#039;, «The New York Times», 15 aprile 2019.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Recensioni positive arrivano anche su &amp;#039;&amp;#039;The New York Times&amp;#039;&amp;#039; da Dwight Garner, che descrive la tecnica narrativa dell’autrice come originale, nonostante sia ancora all’inizio della carriera&amp;lt;ref&amp;gt;[https://www.nytimes.com/2019/04/08/books/review-normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=1&amp;amp;pgtype=collection Dwight Garner, &amp;#039;&amp;#039;Sally Rooney&amp;#039;s &amp;#039;Normal People&amp;#039; Explores Intense Love Across Social Classes&amp;#039;&amp;#039;, «The New York Times», 8 aprile 2019.]&amp;lt;/ref&amp;gt;, e Andrew Martin, che apprezza il lavoro di Sally Rooney, prestando particolare attenzione allo storytelling, definito come “ancora più d’effetto rispetto al suo primo romanzo”&amp;lt;ref&amp;gt;[https://www.nytimes.com/2019/04/15/books/review/normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=2&amp;amp;pgtype=collection Andrew Martin, &amp;#039;&amp;#039;Is Sally Rooney&amp;#039;s New Novel as Great as Her First?&amp;#039;&amp;#039;, «The New York Times», 15 aprile 2019.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Una prospettiva contrastante &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;emerge &lt;/del&gt;da Cody Delistraty di &#039;&#039;Vulture&#039;&#039;, che critica come in &#039;&#039;Normal People&#039;&#039; il marxismo venga utilizzato da Sally Rooney e dai suoi personaggi non come un ideale ma come una finta identità sociale. Inoltre, Delistraty ritiene che non ci sia nessuna idea di rivolta nella politica descritta nei romanzi di Sally Rooney, ma solo una denuncia di oppressione e una conseguente visione superficiale della sfera politica&amp;lt;ref&amp;gt;[https://www.vulture.com/2019/04/sally-rooneys-normal-people-is-politically-complacent.html Cody Delistraty, &#039;&#039;Sally Rooney’s Politics of Millennial Resignation&#039;&#039;, «Vulture», 11 aprile 2019.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Una prospettiva contrastante &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;viene proposta &lt;/ins&gt;da Cody Delistraty di &#039;&#039;Vulture&#039;&#039;, che critica come in &#039;&#039;Normal People&#039;&#039; il marxismo venga utilizzato da Sally Rooney e dai suoi personaggi non come un ideale ma come una finta identità sociale. Inoltre, Delistraty ritiene che non ci sia nessuna idea di rivolta nella politica descritta nei romanzi di Sally Rooney, ma solo una denuncia di oppressione e una conseguente visione superficiale della sfera politica&amp;lt;ref&amp;gt;[https://www.vulture.com/2019/04/sally-rooneys-normal-people-is-politically-complacent.html Cody Delistraty, &#039;&#039;Sally Rooney’s Politics of Millennial Resignation&#039;&#039;, «Vulture», 11 aprile 2019.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5896&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis: /* Trama */ Riformulazioni</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5896&amp;oldid=prev"/>
		<updated>2023-12-19T18:04:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Trama: &lt;/span&gt; Riformulazioni&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:04, 19 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Riga 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Trama==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Trama==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il romanzo &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;si svolge nell&#039;età contemporanea e &lt;/del&gt;narra la relazione tra Marianne Sheridan e Connell Waldron dal 2011 al 2015.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il romanzo narra la relazione tra Marianne Sheridan e Connell Waldron &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ed è ambientato negli anni &lt;/ins&gt;dal 2011 al 2015.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marianne Sheridan proviene da una famiglia molto ricca: vive con la madre e con il fratello Alan, che ha un ruolo chiave nella formazione del carattere di Marianne, una ragazza scontrosa e insicura. Alan, infatti, è una persona aggressiva sia psicologicamente che fisicamente, così come lo è sua madre, che sceglie di ignorare gli abusi e di idolatrare il figlio nonostante l’evidenza.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marianne Sheridan proviene da una famiglia molto ricca: vive con la madre e con il fratello Alan, che ha un ruolo chiave nella formazione del carattere di Marianne, una ragazza scontrosa e insicura. Alan, infatti, è una persona aggressiva sia psicologicamente che fisicamente, così come lo è sua madre, che sceglie di ignorare gli abusi e di idolatrare il figlio nonostante l’evidenza.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Connell Waldron è il figlio di Lorraine, la governante della famiglia Sheridan: in questo modo Connell si trova spesso ad andare a casa di Marianne, instaurando con lei un rapporto di amicizia. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Con il passare dei mesi, i due ragazzi intraprendono una relazione segreta&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, che &lt;/del&gt;si interrompe bruscamente quando Connell, intimorito da come avrebbero reagito i suoi amici se avessero scoperto del suo rapporto con Marianne, invita un’altra ragazza alla festa per gli studenti dell’ultimo anno. Marianne, ferita, decide di completare l’anno scolastico privatamente. I due si perdono di vista per poi ritrovarsi casualmente a una festa al Trinity College di Dublino, dove entrambi studiano.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Connell Waldron è il figlio di Lorraine, la governante della famiglia Sheridan: per questo motivo Connell si trova spesso ad andare a casa di Marianne, instaurando con lei un rapporto di amicizia. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Con il passare dei mesi, i due ragazzi intraprendono una relazione segreta&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. La relazione &lt;/ins&gt;si interrompe bruscamente quando Connell, intimorito da come avrebbero reagito i suoi amici se avessero scoperto del suo rapporto con Marianne, invita un’altra ragazza alla festa per gli studenti dell’ultimo anno. Marianne, ferita, decide di completare l’anno scolastico privatamente. I due si perdono di vista per poi ritrovarsi casualmente a una festa al Trinity College di Dublino, dove entrambi studiano.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nonostante le cose tra loro vadano bene, la situazione psicologica di Connell continua a peggiorare. Mentre Marianne sembra finalmente aver trovato il suo ambiente e una serenità mai sperimentata prima, Connell, al contrario, all’università non ha più lo status sociale che aveva negli anni precedenti al liceo: si sente fuori posto e costantemente abbattuto, e ciò lo porta nuovamente a chiudere la relazione con Marianne dopo qualche mese.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nonostante le cose tra loro vadano bene, la situazione psicologica di Connell continua a peggiorare. Mentre Marianne sembra finalmente aver trovato il suo ambiente e una serenità mai sperimentata prima, Connell, al contrario, all’università non ha più lo status sociale che aveva negli anni precedenti al liceo: si sente fuori posto e costantemente abbattuto, e ciò lo porta nuovamente a chiudere la relazione con Marianne dopo qualche mese.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marianne, al secondo anno di università, parte per un anno in Erasmus in Svezia e intraprende una relazione estremamente tossica con un fotografo svedese, Lukas, che con Marianne parla di amore, per poi approfittarsi di lei e del suo corpo; quando Marianne realizza che persona malata sia in realtà Lukas, chiude qualsiasi rapporto con lui.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nel frattempo, Connell, nonostante l’apparente ripresa dal punto di vista psicologico grazie alla sua nuova ragazza Helen, ricade in una brutta depressione quando gli arriva la notizia del suicidio di uno dei suoi più cari amici del liceo, Rob. Al funerale di &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ron&lt;/del&gt;, a Carricklea, Connell incontra nuovamente Marianne &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e questo &lt;/del&gt;incontro porta Helen &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a rompere con Connell&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;notando &lt;/del&gt;quanto ancora &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lui fosse &lt;/del&gt;innamorato di Marianne, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nonostante il tempo passato&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marianne, al secondo anno di università, parte per un anno in Erasmus in Svezia e intraprende una relazione estremamente tossica con un fotografo svedese, Lukas, che le parla di amore per poi approfittarsi di lei e del suo corpo; quando Marianne realizza che persona malata sia in realtà Lukas, chiude qualsiasi rapporto con lui.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nel frattempo, Connell, nonostante l’apparente ripresa dal punto di vista psicologico grazie alla sua nuova ragazza&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;Helen, ricade in una brutta depressione quando gli arriva la notizia del suicidio di uno dei suoi più cari amici del liceo, Rob. Al funerale di &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rob&lt;/ins&gt;, a Carricklea, Connell incontra nuovamente Marianne&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Questo &lt;/ins&gt;incontro porta Helen, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;che nota &lt;/ins&gt;quanto &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Connell è &lt;/ins&gt;ancora innamorato di Marianne, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a rompere la relazione con lui&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Durante l’estate, sia Connell che Marianne decidono di rimanere a Carricklea, pur non rimanendo in contatto. Tuttavia, una sera Marianne, dopo un brutto litigio con il fratello Alan, nel quale lui le tira un pugno e le rompe il naso, chiede aiuto a Connell, che la porta via di casa: quella sarà l’ultima volta che Marianne vedrà la sua famiglia.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Durante l’estate, sia Connell che Marianne decidono di rimanere a Carricklea, pur non rimanendo in contatto. Tuttavia, una sera Marianne, dopo un brutto litigio con il fratello Alan, nel quale lui le tira un pugno e le rompe il naso, chiede aiuto a Connell, che la porta via di casa: quella sarà l’ultima volta che Marianne vedrà la sua famiglia.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5895&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis: Cancello un aggettivo</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5895&amp;oldid=prev"/>
		<updated>2023-12-19T18:01:24Z</updated>

		<summary type="html">&lt;p&gt;Cancello un aggettivo&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:01, 19 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Riga 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; (&#039;&#039;Normal People&#039;&#039;) è un romanzo della scrittrice irlandese Sally Rooney scritto in collaborazione con Alice Birch e Mark O’Rowe, pubblicato nel 2018. I protagonisti sono Marianne Sheridan e Connell Waldron, due ragazzi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;irlandesi &lt;/del&gt;di Carricklea, una cittadina fittizia nella contea di Sligo, in Irlanda.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; (&#039;&#039;Normal People&#039;&#039;) è un romanzo della scrittrice irlandese Sally Rooney scritto in collaborazione con Alice Birch e Mark O’Rowe, pubblicato nel 2018. I protagonisti sono Marianne Sheridan e Connell Waldron, due ragazzi di Carricklea, una cittadina fittizia nella contea di Sligo, in Irlanda.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Trama==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Trama==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;Mirko.tavosanis</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5894&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;674163: /* Storia editoriale */</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5894&amp;oldid=prev"/>
		<updated>2023-12-19T13:49:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Storia editoriale&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 13:49, 19 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Riga 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Storia editoriale==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Storia editoriale==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L&#039;idea per &#039;&#039;Persone normali&#039;&#039; nasce in Sally Rooney successivamente alla pubblicazione nel 2016 sulla rivista londinese di letteratura e arti visive &#039;&#039;The White Review&#039;&#039; di una sua breve storia, &#039;&#039;At the Clinic&#039;&#039;&amp;lt;ref&amp;gt;[https://www.thewhitereview.org/fiction/at-the-clinic/ Sally Rooney, &#039;&#039;At the Clinic&#039;&#039;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«&#039;&#039;The &lt;/del&gt;White &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Review&#039;&#039;»&lt;/del&gt;, 18, 2016.]&amp;lt;/ref&amp;gt;, che aveva come protagonisti Marianne e Connell, personaggi anche di &#039;&#039;Persone normali&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L&#039;idea per &#039;&#039;Persone normali&#039;&#039; nasce in Sally Rooney successivamente alla pubblicazione nel 2016 sulla rivista londinese di letteratura e arti visive &#039;&#039;The White Review&#039;&#039; di una sua breve storia, &#039;&#039;At the Clinic&#039;&#039;&amp;lt;ref&amp;gt;[https://www.thewhitereview.org/fiction/at-the-clinic/ Sally Rooney, &#039;&#039;At the Clinic&#039;&#039;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«The &lt;/ins&gt;White &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Review»&lt;/ins&gt;, 18, 2016.]&amp;lt;/ref&amp;gt;, che aveva come protagonisti Marianne e Connell, personaggi anche di &#039;&#039;Persone normali&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In una dichiarazione al &amp;#039;&amp;#039;New Statesman&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.newstatesman.com/culture/books/2018/09/sally-rooney-interview-normal-people-booker-prize-bbc-three-adaptation-conversations-with-friends Anna Leszkiewicz, &amp;#039;&amp;#039;Sally Rooney on sex, power and the art of being normal&amp;#039;&amp;#039;, «The New Statesman», 12 settembre 2018.]&amp;lt;/ref&amp;gt;, Sally Rooney afferma che le sarebbe piaciuto continuare a scrivere di questi personaggi, e di come il loro rapporto fosse molto complicato a causa dei loro trascorsi.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In una dichiarazione al &amp;#039;&amp;#039;New Statesman&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.newstatesman.com/culture/books/2018/09/sally-rooney-interview-normal-people-booker-prize-bbc-three-adaptation-conversations-with-friends Anna Leszkiewicz, &amp;#039;&amp;#039;Sally Rooney on sex, power and the art of being normal&amp;#039;&amp;#039;, «The New Statesman», 12 settembre 2018.]&amp;lt;/ref&amp;gt;, Sally Rooney afferma che le sarebbe piaciuto continuare a scrivere di questi personaggi, e di come il loro rapporto fosse molto complicato a causa dei loro trascorsi.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;674163</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5893&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;674163 il 18:21, 18 dic 2023</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5893&amp;oldid=prev"/>
		<updated>2023-12-18T18:21:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:21, 18 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Riga 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; (&#039;&#039;Normal People&#039;&#039;) è un romanzo della scrittrice irlandese Sally Rooney scritto in collaborazione con Alice Birch e Mark O’Rowe, pubblicato nel 2018. I protagonisti sono Marianne Sheridan e Connell Waldron, due &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;adolescenti &lt;/del&gt;irlandesi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;che frequentano l’ultimo anno del liceo a &lt;/del&gt;Carricklea, una cittadina fittizia nella contea di Sligo, in Irlanda.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; (&#039;&#039;Normal People&#039;&#039;) è un romanzo della scrittrice irlandese Sally Rooney scritto in collaborazione con Alice Birch e Mark O’Rowe, pubblicato nel 2018. I protagonisti sono Marianne Sheridan e Connell Waldron, due &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ragazzi &lt;/ins&gt;irlandesi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;di &lt;/ins&gt;Carricklea, una cittadina fittizia nella contea di Sligo, in Irlanda.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Trama==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Trama==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il romanzo si svolge nell&#039;età contemporanea e narra la relazione tra Marianne Sheridan e Connell Waldron dal 2011 al 2015.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marianne Sheridan proviene da una famiglia molto ricca: vive con la madre e con il fratello Alan, che ha un ruolo chiave nella formazione del carattere di Marianne, una ragazza scontrosa e insicura. Alan, infatti, è una persona aggressiva sia psicologicamente che fisicamente, così come lo è sua madre, che sceglie di ignorare gli abusi e di idolatrare il figlio nonostante l’evidenza.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marianne Sheridan proviene da una famiglia molto ricca: vive con la madre e con il fratello Alan, che ha un ruolo chiave nella formazione del carattere di Marianne, una ragazza scontrosa e insicura. Alan, infatti, è una persona aggressiva sia psicologicamente che fisicamente, così come lo è sua madre, che sceglie di ignorare gli abusi e di idolatrare il figlio nonostante l’evidenza.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Connell Waldron è il figlio di Lorraine, la governante della famiglia Sheridan: in questo modo Connell si trova spesso ad andare a casa di Marianne, instaurando con lei un rapporto di amicizia.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Connell Waldron è il figlio di Lorraine, la governante della famiglia Sheridan: in questo modo Connell si trova spesso ad andare a casa di Marianne, instaurando con lei un rapporto di amicizia.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Con il passare dei mesi, i due ragazzi intraprendono una relazione segreta, che si interrompe bruscamente quando Connell, intimorito da come avrebbero reagito i suoi amici se avessero scoperto del suo rapporto con Marianne, invita un’altra ragazza alla festa per gli studenti dell’ultimo anno. Marianne, ferita, decide di completare l’anno scolastico privatamente. I due si perdono di vista per poi ritrovarsi casualmente &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ad &lt;/del&gt;una festa al Trinity College di Dublino, dove entrambi studiano.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Con il passare dei mesi, i due ragazzi intraprendono una relazione segreta, che si interrompe bruscamente quando Connell, intimorito da come avrebbero reagito i suoi amici se avessero scoperto del suo rapporto con Marianne, invita un’altra ragazza alla festa per gli studenti dell’ultimo anno. Marianne, ferita, decide di completare l’anno scolastico privatamente. I due si perdono di vista per poi ritrovarsi casualmente &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;una festa al Trinity College di Dublino, dove entrambi studiano.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nonostante le cose tra loro vadano bene, la situazione psicologica di Connell continua a peggiorare. Mentre Marianne sembra finalmente aver trovato il suo ambiente e una serenità mai sperimentata prima, Connell, al contrario, all’università non ha più lo status sociale che aveva negli anni precedenti al liceo&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;si sente fuori posto e costantemente abbattuto, e ciò lo porta nuovamente a chiudere la relazione con Marianne dopo qualche mese.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nonostante le cose tra loro vadano bene, la situazione psicologica di Connell continua a peggiorare. Mentre Marianne sembra finalmente aver trovato il suo ambiente e una serenità mai sperimentata prima, Connell, al contrario, all’università non ha più lo status sociale che aveva negli anni precedenti al liceo&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: &lt;/ins&gt;si sente fuori posto e costantemente abbattuto, e ciò lo porta nuovamente a chiudere la relazione con Marianne dopo qualche mese.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marianne, al secondo anno di università, parte per un anno in Erasmus in Svezia e intraprende una relazione estremamente tossica con un fotografo svedese, Lukas, che con Marianne parla di amore, per poi approfittarsi di lei e del suo corpo; quando Marianne realizza che persona malata sia in realtà Lukas, chiude qualsiasi rapporto con lui.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marianne, al secondo anno di università, parte per un anno in Erasmus in Svezia e intraprende una relazione estremamente tossica con un fotografo svedese, Lukas, che con Marianne parla di amore, per poi approfittarsi di lei e del suo corpo; quando Marianne realizza che persona malata sia in realtà Lukas, chiude qualsiasi rapporto con lui.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Riga 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Durante l’estate, sia Connell che Marianne decidono di rimanere a Carricklea, pur non rimanendo in contatto. Tuttavia, una sera Marianne, dopo un brutto litigio con il fratello Alan, nel quale lui le tira un pugno e le rompe il naso, chiede aiuto a Connell, che la porta via di casa: quella sarà l’ultima volta che Marianne vedrà la sua famiglia.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Durante l’estate, sia Connell che Marianne decidono di rimanere a Carricklea, pur non rimanendo in contatto. Tuttavia, una sera Marianne, dopo un brutto litigio con il fratello Alan, nel quale lui le tira un pugno e le rompe il naso, chiede aiuto a Connell, che la porta via di casa: quella sarà l’ultima volta che Marianne vedrà la sua famiglia.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Con la fine dell’università e il conseguimento della laurea per entrambi, Marianne e Connell tornano insieme. Dopo la laurea, Connell realizza di voler diventare uno scrittore e fa domanda per un corso di scrittura creativa a New York: viene preso e Marianne lo lascia andare, con la promessa che nonostante la sua partenza implichi la fine della loro relazione, ci saranno sempre l’una per l’altro.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Con la fine dell’università e il conseguimento della laurea per entrambi, Marianne e Connell tornano insieme. Dopo la laurea, Connell realizza di voler diventare uno scrittore e fa domanda per un corso di scrittura creativa a New York: viene preso e Marianne lo lascia andare, con la promessa che&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;nonostante la sua partenza implichi la fine della loro relazione, ci saranno sempre l’una per l’altro.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Storia editoriale==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Storia editoriale==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L’ispirazione &lt;/del&gt;per &#039;&#039;Persone normali&#039;&#039; nasce in Sally Rooney successivamente alla pubblicazione nel 2016 sulla rivista londinese di letteratura e arti visive &#039;&#039;The White Review&#039;&#039; di una sua breve storia, &#039;&#039;At the Clinic&#039;&#039;&amp;lt;ref&amp;gt;[https://www.thewhitereview.org/fiction/at-the-clinic/ Sally Rooney, &#039;&#039;At the Clinic&#039;&#039;, «&#039;&#039;The White Review&#039;&#039;», 18, 2016.]&amp;lt;/ref&amp;gt;, che aveva come protagonisti Marianne e Connell, personaggi anche di &#039;&#039;Persone normali&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;idea &lt;/ins&gt;per &#039;&#039;Persone normali&#039;&#039; nasce in Sally Rooney successivamente alla pubblicazione nel 2016 sulla rivista londinese di letteratura e arti visive &#039;&#039;The White Review&#039;&#039; di una sua breve storia, &#039;&#039;At the Clinic&#039;&#039;&amp;lt;ref&amp;gt;[https://www.thewhitereview.org/fiction/at-the-clinic/ Sally Rooney, &#039;&#039;At the Clinic&#039;&#039;, «&#039;&#039;The White Review&#039;&#039;», 18, 2016.]&amp;lt;/ref&amp;gt;, che aveva come protagonisti Marianne e Connell, personaggi anche di &#039;&#039;Persone normali&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In una dichiarazione al &amp;#039;&amp;#039;New Statesman&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.newstatesman.com/culture/books/2018/09/sally-rooney-interview-normal-people-booker-prize-bbc-three-adaptation-conversations-with-friends Anna Leszkiewicz, &amp;#039;&amp;#039;Sally Rooney on sex, power and the art of being normal&amp;#039;&amp;#039;, «The New Statesman», 12 settembre 2018.]&amp;lt;/ref&amp;gt;, Sally Rooney afferma che le sarebbe piaciuto continuare a scrivere di questi personaggi, e di come il loro rapporto fosse molto complicato a causa dei loro trascorsi.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In una dichiarazione al &amp;#039;&amp;#039;New Statesman&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.newstatesman.com/culture/books/2018/09/sally-rooney-interview-normal-people-booker-prize-bbc-three-adaptation-conversations-with-friends Anna Leszkiewicz, &amp;#039;&amp;#039;Sally Rooney on sex, power and the art of being normal&amp;#039;&amp;#039;, «The New Statesman», 12 settembre 2018.]&amp;lt;/ref&amp;gt;, Sally Rooney afferma che le sarebbe piaciuto continuare a scrivere di questi personaggi, e di come il loro rapporto fosse molto complicato a causa dei loro trascorsi.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Riga 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il romanzo ottiene un immediato successo ed è stato tradotto in 46 lingue: la traduzione in italiano è opera di Maurizia Balmelli, pubblicata nel 2020 dalla casa editrice Giulio Einaudi editore con il titolo &amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.einaudi.it/catalogo-libri/narrativa-straniera/narrativa-di-lingua-inglese/persone-normali-sally-rooney-9788806245740/ &amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039;, Sally Rooney. Giulio Einaudi editore - ET Scrittori.]&amp;lt;/ref&amp;gt;. Il romanzo presenta una copertina diversa dall’edizione originale di Faber &amp;amp; Faber: l’edizione italiana è stata illustrata dall’artista italiano Mario Sughi&amp;lt;ref&amp;gt;[https://marinonibooks.com/mario-sughi/ marinonibooks - Mario Sughi.]&amp;lt;/ref&amp;gt;, che rappresenta un ragazzo dallo sguardo sfuggente e una ragazza che lo osserva su sfondo azzurro.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il romanzo ottiene un immediato successo ed è stato tradotto in 46 lingue: la traduzione in italiano è opera di Maurizia Balmelli, pubblicata nel 2020 dalla casa editrice Giulio Einaudi editore con il titolo &amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.einaudi.it/catalogo-libri/narrativa-straniera/narrativa-di-lingua-inglese/persone-normali-sally-rooney-9788806245740/ &amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039;, Sally Rooney. Giulio Einaudi editore - ET Scrittori.]&amp;lt;/ref&amp;gt;. Il romanzo presenta una copertina diversa dall’edizione originale di Faber &amp;amp; Faber: l’edizione italiana è stata illustrata dall’artista italiano Mario Sughi&amp;lt;ref&amp;gt;[https://marinonibooks.com/mario-sughi/ marinonibooks - Mario Sughi.]&amp;lt;/ref&amp;gt;, che rappresenta un ragazzo dallo sguardo sfuggente e una ragazza che lo osserva su sfondo azzurro.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Ricezione &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;del pubblico e della critica&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Ricezione==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039; ha raccolto numerose recensioni positive dal pubblico e dalla critica internazionale. Il romanzo è stato candidato nel 2018 al Man Booker Prize e nello stesso anno ha vinto il premio &amp;#039;&amp;#039;Irish Novel of the Year&amp;#039;&amp;#039; agli Irish Book Awards, ricevendo inoltre il titolo &amp;#039;&amp;#039;Book of the Year&amp;#039;&amp;#039; dalla catena di librerie Waterstones. Nel 2019 &amp;#039;&amp;#039;Normal People&amp;#039;&amp;#039; ha vinto il Costa Book Award per la categoria &amp;#039;&amp;#039;Novel&amp;#039;&amp;#039; ed è stato candidato per il Dylan Thomas Prize e per il Women’s Prize for Fiction&amp;lt;ref&amp;gt;[https://www.barnesandnoble.com/b/contributor/sally-rooney/_/N-2wim Barnes &amp;amp; Noble, List of Books by Sally Rooney.]&amp;lt;/ref&amp;gt;. Infine, sempre nello stesso anno, è stato collocato al venticinquesimo posto nella classifica dei cento migliori libri del XXI secolo dal &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2019/sep/21/best-books-of-the-21st-century The Guardian, &amp;#039;&amp;#039;The 100 best books of the 21st century&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Persone normali&amp;#039;&amp;#039; ha raccolto numerose recensioni positive dal pubblico e dalla critica internazionale. Il romanzo è stato candidato nel 2018 al Man Booker Prize e nello stesso anno ha vinto il premio &amp;#039;&amp;#039;Irish Novel of the Year&amp;#039;&amp;#039; agli Irish Book Awards, ricevendo inoltre il titolo &amp;#039;&amp;#039;Book of the Year&amp;#039;&amp;#039; dalla catena di librerie Waterstones. Nel 2019 &amp;#039;&amp;#039;Normal People&amp;#039;&amp;#039; ha vinto il Costa Book Award per la categoria &amp;#039;&amp;#039;Novel&amp;#039;&amp;#039; ed è stato candidato per il Dylan Thomas Prize e per il Women’s Prize for Fiction&amp;lt;ref&amp;gt;[https://www.barnesandnoble.com/b/contributor/sally-rooney/_/N-2wim Barnes &amp;amp; Noble, List of Books by Sally Rooney.]&amp;lt;/ref&amp;gt;. Infine, sempre nello stesso anno, è stato collocato al venticinquesimo posto nella classifica dei cento migliori libri del XXI secolo dal &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2019/sep/21/best-books-of-the-21st-century The Guardian, &amp;#039;&amp;#039;The 100 best books of the 21st century&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot;&gt;Riga 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kate Clanchy, su &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, definisce &amp;#039;&amp;#039;Normal People&amp;#039;&amp;#039; un romanzo che “potrebbe non raccontare com’è essere giovani al giorno d’oggi, ma ancora meglio, mostra com’è essere giovani e innamorati in qualsiasi periodo. Potrebbe non essere un romanzo completamente contemporaneo, ma è un futuro classico della letteratura.”&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2018/sep/01/normal-people-sally-rooney-review Kate Clanchy, &amp;#039;&amp;#039;Normal People by Sally Rooney review - a future classic&amp;#039;&amp;#039;, «The Guardian», 1 settembre 2018.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kate Clanchy, su &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, definisce &amp;#039;&amp;#039;Normal People&amp;#039;&amp;#039; un romanzo che “potrebbe non raccontare com’è essere giovani al giorno d’oggi, ma ancora meglio, mostra com’è essere giovani e innamorati in qualsiasi periodo. Potrebbe non essere un romanzo completamente contemporaneo, ma è un futuro classico della letteratura.”&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2018/sep/01/normal-people-sally-rooney-review Kate Clanchy, &amp;#039;&amp;#039;Normal People by Sally Rooney review - a future classic&amp;#039;&amp;#039;, «The Guardian», 1 settembre 2018.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sempre &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;del &lt;/del&gt;&#039;&#039;The Guardian&#039;&#039;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;la giornalista &lt;/del&gt;Julie Myerson scrive: “Questo è un bellissimo romanzo con una profonda e soddisfacente intelligenza come cuore. È emozionante ma anche gentile e saggio, spiritoso e familiare.”, definendolo come una concisa analisi del modo in cui le persone cercano, in modo fallimentare, di capirsi a vicenda&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2018/aug/26/sally-rooney-normal-people-review-elegant-intelligent-tender Julie Myerson, &#039;&#039;Normal People by Sally Rooney review – an elegant love story for a cynical age&#039;&#039;, «The Guardian», 26 agosto 2018&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.]&amp;lt;/ref&amp;gt;. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sempre &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;su &lt;/ins&gt;&#039;&#039;The Guardian&#039;&#039;, Julie Myerson scrive: “Questo è un bellissimo romanzo con una profonda e soddisfacente intelligenza come cuore. È emozionante ma anche gentile e saggio, spiritoso e familiare.”, definendolo come una concisa analisi del modo in cui le persone cercano, in modo fallimentare, di capirsi a vicenda&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2018/aug/26/sally-rooney-normal-people-review-elegant-intelligent-tender Julie Myerson, &#039;&#039;Normal People by Sally Rooney review – an elegant love story for a cynical age&#039;&#039;, «The Guardian», 26 agosto 2018.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Recensioni positive arrivano anche dai giornalisti del &#039;&#039;New York Times&#039;&#039; Dwight Garner, che descrive la tecnica narrativa dell’autrice come originale, nonostante sia ancora all’inizio della carriera&amp;lt;ref&amp;gt;[https://www.nytimes.com/2019/04/08/books/review-normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=1&amp;amp;pgtype=collection Dwight Garner, &#039;&#039;Sally Rooney&#039;s &#039;Normal People&#039; Explores Intense Love Across Social Classes&#039;&#039;, «The New York Times», 8 aprile 2019.]&amp;lt;/ref&amp;gt;, e Andrew Martin, che apprezza il lavoro di Sally Rooney, prestando particolare attenzione allo storytelling, definito come “ancora più d’effetto rispetto al suo primo romanzo”&amp;lt;ref&amp;gt;[https://www.nytimes.com/2019/04/15/books/review/normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=2&amp;amp;pgtype=collection Andrew Martin, &#039;&#039;Is Sally Rooney&#039;s New Novel as Great as Her First?&#039;&#039;, «The New York Times», 15 aprile 2019&lt;/del&gt;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tuttavia, sono state mosse critiche nei confronti degli ideali politici di estrema sinistra di Sally Rooney, ideali che l&#039;autrice attribuisce &lt;/del&gt;anche &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ai suoi personaggi; in &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Normal People&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marianne consiglia a Connell di leggere &#039;&#039;Il manifesto del partito comunista&#039;&#039; di Karl Marx&lt;/del&gt;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rooney, &#039;&#039;Persone normali&#039;&#039;, p&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;14&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&amp;gt;&lt;/del&gt;, &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il taccuino d&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;oro&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;di Doris Lessing&amp;lt;ref&amp;gt;Rooney, &#039;&#039;Persone normali&lt;/del&gt;&#039;&#039;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. 24&lt;/del&gt;.&amp;lt;/ref&amp;gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;un romanzo femminista&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e &#039;&#039;La prossima volta &lt;/del&gt;il &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fuoco&#039;&#039; &lt;/del&gt;di &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;James Baldwin&lt;/del&gt;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rooney, &#039;&#039;Persone normali&#039;&#039;, p&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;14&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&amp;gt;, un saggio sul razzismo e sulle lotte per i diritti civili&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Quando Connell chiede a Marianne perché non si possa vendere una casa abbandonata nei pressi del loro liceo a chi ne ha bisogno&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marianne dà la colpa al capitalismo&amp;lt;ref&amp;gt;&lt;/del&gt;Rooney&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Persone normali&lt;/del&gt;&#039;&#039;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. 32&lt;/del&gt;.&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Recensioni positive arrivano &lt;/ins&gt;anche &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;su &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The New York Times&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;da Dwight Garner, che descrive la tecnica narrativa dell’autrice come originale, nonostante sia ancora all’inizio della carriera&lt;/ins&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://www&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nytimes&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;com/2019/04/08/books&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;review-normal-people-sally-rooney.html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=1&amp;amp;pgtype=collection Dwight Garner&lt;/ins&gt;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sally Rooney&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;s &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Normal People&lt;/ins&gt;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Explores Intense Love Across Social Classes&lt;/ins&gt;&#039;&#039;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«The New York Times», 8 aprile 2019&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;&amp;lt;/ref&amp;gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e Andrew Martin&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;che apprezza &lt;/ins&gt;il &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lavoro &lt;/ins&gt;di &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sally Rooney, prestando particolare attenzione allo storytelling, definito come “ancora più d’effetto rispetto al suo primo romanzo”&lt;/ins&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://www&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nytimes&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;com/2019/04/15/books/review&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;normal-people-sally-rooney&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;html?rref=collection%2Ftimestopic%2FBook%20Reviews&amp;amp;action=click&amp;amp;contentCollection=books&amp;amp;region=stream&amp;amp;module=stream_unit&amp;amp;version=latest&amp;amp;contentPlacement=2&amp;amp;pgtype=collection Andrew Martin&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Is Sally &lt;/ins&gt;Rooney&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;s New Novel as Great as Her First?&lt;/ins&gt;&#039;&#039;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«The New York Times», 15 aprile 2019&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Questi aspetti politici del romanzo sono stati criticati in particolare modo dal giornalista &lt;/del&gt;Cody Delistraty di &#039;&#039;Vulture&#039;&#039;, che &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scrive &lt;/del&gt;come il &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marxismo &lt;/del&gt;venga utilizzato da Sally Rooney e dai suoi personaggi non come un ideale ma come una finta identità sociale. Inoltre, Delistraty ritiene che non ci sia nessuna idea di rivolta nella politica descritta nei romanzi di Sally Rooney, ma solo una denuncia di oppressione e una conseguente visione superficiale della sfera politica&amp;lt;ref&amp;gt;[https://www.vulture.com/2019/04/sally-rooneys-normal-people-is-politically-complacent.html Cody Delistraty, &#039;&#039;Sally Rooney’s Politics of Millennial Resignation&#039;&#039;, «Vulture», 11 aprile 2019.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Una prospettiva contrastante emerge da &lt;/ins&gt;Cody Delistraty di &#039;&#039;Vulture&#039;&#039;, che &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;critica &lt;/ins&gt;come &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &#039;&#039;Normal People&#039;&#039; &lt;/ins&gt;il &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;marxismo &lt;/ins&gt;venga utilizzato da Sally Rooney e dai suoi personaggi non come un ideale ma come una finta identità sociale. Inoltre, Delistraty ritiene che non ci sia nessuna idea di rivolta nella politica descritta nei romanzi di Sally Rooney, ma solo una denuncia di oppressione e una conseguente visione superficiale della sfera politica&amp;lt;ref&amp;gt;[https://www.vulture.com/2019/04/sally-rooneys-normal-people-is-politically-complacent.html Cody Delistraty, &#039;&#039;Sally Rooney’s Politics of Millennial Resignation&#039;&#039;, «Vulture», 11 aprile 2019.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;674163</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5892&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;674163: /* Collocazione all’interno dell’opera dell’autrice */</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5892&amp;oldid=prev"/>
		<updated>2023-12-16T16:09:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Collocazione all’interno dell’opera dell’autrice&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 16:09, 16 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Riga 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Collocazione all’interno dell’opera dell’autrice==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; è il secondo romanzo di Sally Rooney: il suo primo romanzo è stato &#039;&#039;Parlarne tra amici&#039;&#039; (&#039;&#039;Conversations with Friends&#039;&#039;), pubblicato a Londra dalla casa editrice Faber and Faber nel 2017&amp;lt;ref&amp;gt;[https://search.worldcat.org/it/title/1031891111 WorldCat.org, &#039;&#039;Conversations with friends&#039;&#039;.]&amp;lt;/ref&amp;gt;, che tratta l’intrecciarsi delle vite delle studentesse universitarie Frances e Bobbi con quelle della scrittrice e fotografa Melissa e suo marito Nick. Come &#039;&#039;Persone normali&#039;&#039;, anche &#039;&#039;Parlarne tra amici&#039;&#039; ha riscosso molto successo tra il pubblico e la critica, ricevendo recensioni positive da testate come il &#039;&#039;New Yorker&#039;&#039;&amp;lt;ref&amp;gt;[https://www.newyorker.com/magazine/2017/07/31/a-new-kind-of-adultery-novel Alexandra Shwartz, &#039;&#039;A New Kind of Adultery Novel&#039;&#039;, «The New Yorker», 24 luglio 2017]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&amp;lt;/ref&amp;gt; e il &#039;&#039;The Guardian&#039;&#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2017/jun/01/conversations-with-friends-by-sally-rooney-review Claire Kilroy, &#039;&#039;Conversations with Friends by Sally Rooney review - Young, gifted and self-destructive&#039;&#039;, «The Guardian», 1 giugno 2017]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&amp;lt;/ref&amp;gt;; nel 2022 è stato prodotto da Hulu e BBC Three un adattamento televisivo del romanzo&amp;lt;ref&amp;gt;[https://www.corriere.it/spettacoli/cinema-serie-tv/cards/conversations-with-friends-nuova-serie-tv-un-romanzo-sally-rooney/conversations-with-friends-cast.shtml Eva Cabras, &#039;&#039;«Conversations with Friends», la nuova serie tv tratta da un romanzo di Sally Rooney&#039;&#039;, «Corriere della Sera», 7 marzo 2023.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Persone normali&#039;&#039; è il secondo romanzo di Sally Rooney: il suo primo romanzo è stato &#039;&#039;Parlarne tra amici&#039;&#039; (&#039;&#039;Conversations with Friends&#039;&#039;), pubblicato a Londra dalla casa editrice Faber and Faber nel 2017&amp;lt;ref&amp;gt;[https://search.worldcat.org/it/title/1031891111 WorldCat.org, &#039;&#039;Conversations with friends&#039;&#039;.]&amp;lt;/ref&amp;gt;, che tratta l’intrecciarsi delle vite delle studentesse universitarie Frances e Bobbi con quelle della scrittrice e fotografa Melissa e suo marito Nick. Come &#039;&#039;Persone normali&#039;&#039;, anche &#039;&#039;Parlarne tra amici&#039;&#039; ha riscosso molto successo tra il pubblico e la critica, ricevendo recensioni positive da testate come il &#039;&#039;New Yorker&#039;&#039;&amp;lt;ref&amp;gt;[https://www.newyorker.com/magazine/2017/07/31/a-new-kind-of-adultery-novel Alexandra Shwartz, &#039;&#039;A New Kind of Adultery Novel&#039;&#039;, «The New Yorker», 24 luglio 2017&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;]&amp;lt;/ref&amp;gt; e il &#039;&#039;The Guardian&#039;&#039;&amp;lt;ref&amp;gt;[https://www.theguardian.com/books/2017/jun/01/conversations-with-friends-by-sally-rooney-review Claire Kilroy, &#039;&#039;Conversations with Friends by Sally Rooney review - Young, gifted and self-destructive&#039;&#039;, «The Guardian», 1 giugno 2017&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;]&amp;lt;/ref&amp;gt;; nel 2022 è stato prodotto da Hulu e BBC Three un adattamento televisivo del romanzo&amp;lt;ref&amp;gt;[https://www.corriere.it/spettacoli/cinema-serie-tv/cards/conversations-with-friends-nuova-serie-tv-un-romanzo-sally-rooney/conversations-with-friends-cast.shtml Eva Cabras, &#039;&#039;«Conversations with Friends», la nuova serie tv tratta da un romanzo di Sally Rooney&#039;&#039;, «Corriere della Sera», 7 marzo 2023.]&amp;lt;/ref&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L’ultimo romanzo di Sally Rooney è &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;) pubblicato a Londra dalla casa editrice Faber and Faber nel 2021&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;. L’opera racconta le storie di Alice Kellehr, una scrittrice, e della sua migliore amica Eileen Lydon, un’editrice, tramite le lettere che si scambiano. Così come i suoi precedenti lavori, anche &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; ha ricevuto un’accoglienza positiva, diventando un bestseller del &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L’ultimo romanzo di Sally Rooney è &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;) pubblicato a Londra dalla casa editrice Faber and Faber nel 2021&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;. L’opera racconta le storie di Alice Kellehr, una scrittrice, e della sua migliore amica Eileen Lydon, un’editrice, tramite le lettere che si scambiano. Così come i suoi precedenti lavori, anche &amp;#039;&amp;#039;Dove sei, mondo bello&amp;#039;&amp;#039; ha ricevuto un’accoglienza positiva, diventando un bestseller del &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://www.faber.co.uk/product/9780571365425-beautiful-world-where-are-you/ Faber &amp;amp; Faber, &amp;#039;&amp;#039;Beautiful World, Where Are You&amp;#039;&amp;#039;.]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;674163</name></author>
	</entry>
	<entry>
		<id>https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5891&amp;oldid=prev</id>
		<title>scrivowiki.fileli.unipi.it&gt;674163 il 16:08, 16 dic 2023</title>
		<link rel="alternate" type="text/html" href="https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;diff=5891&amp;oldid=prev"/>
		<updated>2023-12-16T16:08:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://unipedia.fileli.unipi.it/index.php?title=Persone_normali&amp;amp;diff=5891&amp;amp;oldid=5890&quot;&gt;Mostra modifiche&lt;/a&gt;</summary>
		<author><name>scrivowiki.fileli.unipi.it&gt;674163</name></author>
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